CHEN DULING
陈都灵
Anglicised Name:
Little Ear and Dudu
Birthdate:
October 18, 1993
Star Sign | Chinese Zodiac:
Libra | Rooster
Birthplace | Nationality:
Xiamen, Fujian Province | Chinese
Height | Weight:
Civil Status:
Occupation:
Single
Actress
1.68 cm | 42 kg
Chen Duling born on October 18, 1993, in Xiamen, Fujian Province, is a Chinese actress who father is a mathematics professor and her mother works in the entertainment industry. She is the only child. Chen Duling studied piano and attended affiliated music schools, showing an early interest in the arts, however she chose the science track in high school, excelling academically. she achieved 621 points on the Gaokao, China's national college entrance exam, and was admitted to Nanjing University of Aeronautics and Astronautics, where she majored in Aircraft Manufacturing Engineering a key national discipline. Her combination of academic excellence and striking appearance earned her the nickname "Campus Beauty of NUAA."
Chen Duling’s public career began in 2013 when she won the Facejoking College Beauty Contest, attracting widespread online attention and leading to being discovered by industry professionals. She made her acting debut in 2015 at the age of 21, starring as Li Er in the youth romance film The Left Ear directed by Alec Su. Despite being a newcomer with no formal acting training, her ethereal performance resonated widely, marking her official entry into the Chinese entertainment industry. After graduating in 2016, Chen focused on acting full-time. Early roles included supporting parts in television dramas like Legend of Condor Hero (2017) and Love in Flames of War (2022).
She has also appeared in many films, including Inference Notes (2017), Namiya (2017), Dream Breaker (2018), The Twins (2019), Hot Soup (2022), and The Source of Power (2023). Known for her disciplined work ethic and academic persona, she has carved a niche in portraying complex ensemble characters rather than seeking mainstream celebrity status. Future and recent works include dramas and films such as Ashes to Crown (2026), Veil of Shadows (2026), and The Tale of Xishi: Kingdom Rebuilt (TBA), highlighting her continued presence in high-profile Chinese productions.